Short Stories and Long Lies launched by Minister for the Arts

 

 

Minister Jimmy Deenihan launches Book in Tinahely

 

Minister for the Arts, Heritage and the Gaeltacht, Jimmy Deenihan, TD, was in Tinahely on Saturday May 12, 2012 to launch a collection of short stories and poetry by a local writing group. Called Short Stories and Long lies, the book was written by five local writers; Alison McGuire, Tara Quirke, Thomas Clare, Robert Duffy and Jillian Godsil. The launch was held in the Riverside Business Centre, Tinahely.

Minister Deenihan launched the book and said: “Tinahley is renowned as a centre for culture and artistic activity and it is great to see new and existing authors coming together to publish lively collections such this one. The village already boasts a thriving arts centre and here at Riverside Art Gallery we have another great venue promoting the arts.

“Creative writing can be a lonely pursuit and the presence of a writing group can be very supportive. I would like to congratulate all five authors on their work and ultimate production of this interesting book.”

The launch was held in the new Art Gallery. Entertainment was provided by three young harpists, local sisters Miriam and Bernadette Lambert along with their first cousin Brid Lambert. Refreshments were provided by D’Lish Café also in the same building and wines by local grocers Walkers in nearing Shillelagh and Candys from Carnew.

The book may be purchased online for €10 at http://www.lulu.com/shop/the-snug-at-730-writing-group/short-stories-long-lies/paperback/product-20099977.html

Or by contacting Jillian@practicepr.ie

 

See You at the Pictures

Yesterday I was invited by Planet Korda to come share my filmic experiences for a documentary called ‘See you at the Pictures’. I had seen the tweet calling for people to be featured and had wracked my brains to think of any interesting anecdotes to tell. I love films, proper ones, but go much less frequently than I might. Living in the country contributes to this, although when I lived in Raheengraney House we had our own home cinema in the basement. The big screen in the low ceiling room with huge speakers and sub woofers and other pieces of canine sounding technology quite beyond me, created a pretty amazing cinematic experience. The large, old and tatty grey elephant leather sofas made for comfortable reclining and of course since we were at home all manner of refreshments were on hand.

Since quitting Raheengraney, I have been forced to attend the real McCoy to see films. My children often watch films online but since our taste in films is quite different, this is not a natural combination. I don’t really like romcom (especially bad romcom of which there is a lot), actively dislike slasher films, and those superhero remakes leave me quite unmoved.

Anyway, back to the question posed by the Tweet. It wanted to know about film experiences. I tried to think of any that would bear telling or retelling. It is one thing to critique a film, quite another to share the experience of the film itself. I put the question to one side and continuing working. Later, as I prepared to finish for the evening, I suddenly remembered The Rocky Horror Picture Show. Aha, now that was definitely worth sharing and I dashed off a reply to that effect.

A month later I got an email from a researcher asking if I would be filmed for the documentary. ‘Lovely,’ I said. ‘Great,’ I said. ‘Sugar,’ I said. ‘I’d better go back and view the film,’ I said.

In the thirty years since I had last seen the film, as I had only ever seen it once, while the world and I had changed massively, the film had not. What was interesting was that so much of it resided in my memory. How many films can be watched once and remain so vividly in the grey matter?  It was also interesting to compare the world, the film and I and see which had aged the best. In short: The Rocky Horror Picture Show. Even with its clumsy parody, coquettish acting and aping story lines, it has an energy that defies its age. Every dance number kicks up its heels and pounds out a thumping lively beat and has the film goer at home itching to dance as much as the audience participating at the venues.

I watched the film and felt modern parallels. I wondered if in years to come we would remember as fondly doing the shuffle as the time warp. LMFAO is sure that everyone is shuffling but maybe it will take a film to etch that particular dance onto the retina of a shared communal memory.

So armed with the film refreshed in my brain once more, I ventured to the Irish Film Institute to meet the director and participate in the filming. I arrived just on time, having wrenched myself from an earlier overlong meeting, and skidding in to the IFI with moments to spare. That is, until I met the researcher only to be told the filming was an hour behind schedule. Blast. I had brought no note pad or book. The battery on my iphone was low. It was raining out and I had no umbrella. Well, drizzling, but I didn’t want to be filmed looking like a wet bedraggled thing.

I had a coffee and planned my next hour. You have to understand I don’t often get free periods. My days overlap at an alarming rate and still never complete on time. Finally I decided to buy a book. Actually I wanted to buy a book of poetry for a course I am attending at the end of the month by Irish Poet Dave Lordan. Problem solved. I pulled up the lapels of my leather coat and sticking close to the edges of the buildings made my way to the Oxford second hand bookshop nearby.

Of course the poetry book was not there, so I looked at the fiction section. Nothing really caught my eye although I did note that I had read and indeed owned quite a number of the books on display. This was obviously a book shop that catered for my tastes. Then I spotted it. A book by Caroline Grace-Cassidy called When Love Takes Over.   Wow. I had met Caroline recently and we had hit it off really well in February. I had so meant to buy her book. Great. I went to pay for it but the woman on the till asked me where I had got it from. I pointed back to the missing space. ‘Oh, you can get two for a tenner,’ she said, ‘or one, but two is better.’ Two is indeed better and so I retraced my steps and then spotted on a connecting shelf The Holy Thief by William Ryan. William is a good friend from college, although I haven’t seen him in years, and I had also promised to buy his book. Double wow. Of course I must now apologise to both Caroline and William as I am not sure what royalties if any revert to them from second hand book stores. None I suspect but I will read and eulogise enthusiastically once consumed. I promise.

So coincidenced, I returned to the IFI intending to begin reading, while at the same time undecided which one to begin, but I was met by the researcher to say things were back on track and could I come now and be filmed. ‘Yes,’ I said worried superficially if my hair had suffered from the light Dublin rain. I gabbled on about my book coincidences while wondering out loud at the same time if age alone means that friends will get into print. If I live long enough on this planet maybe I will know a rake of published authors. It is a nice thought, especially if the same aging process will allow me to join their number.

I met the director, Jeremiah, who said, ‘Columba’. I thought it was a memory test and quickly retorted ‘Magenta’, another of the supporting female characters in The Rocky Horror Picture Show. And then it transpired he wanted to know if that had been the character I’d dressed up as when acting in the audience. Oh, my bubble burst for I had not been one of the intrepid and dedicated people that donned costume each week to act at the showing. I had only viewed the film once as a young seventeen year old. It had made its mark, but I had not returned the favour.

The term ‘ending up on the cutting floor’ is very evocative and I suspect my ramblings will do just that, but I have two fine books in my possession that a frantic life had so far impeded me from buying. And so while my filmic experience may be of limited interest, I hope my future readings will prove the opposite.

See You at the Pictures!

 

 

 

#DepressionHurts wins Best Shorts Competition, California, USA

I had the honour of acting in this short film.

#DepressionHurts wins Best Shorts Competition, California, USA

 

Dublin,Ireland, May 1, 2012…#DepressionHurts video has won a prestigious Award of Merit from the Best Shorts Competition,California. The award was given for the special purpose video created by a volunteer team to highlight awareness of mental illness and depression.

 

The project and film was made with the support volunteers from social media network Twitter, who together with producer Norah Bohan and director Alan Lavender helped co-ordinate Ireland’s first 24/7 Twitter helpline for depression and suicide, which ran for the nine days of Christmas and New Year 2011.

Lavender said, “We called the video ‘It Starts With You’ – because it does! It’s how YOU think and behave that either adds to the hurt of depression or suicide or helps the sufferers. We know to change attitude & remove stigma to depression and suicide, ‘It Starts With You’ and we hope lots of ‘You’ will decide to be part of the change.

”Winning the Best Shorts Award of Merit is a tremendous boost to our team. It will certainly help us continue with our important project.”

Winning the Award of Merit has given added excitement to Lavender and Bohan in a  this week that also saw them launch the #depresionHurts Irelandwebsite. www.depressionhurtsireland.com

The Best Shorts Competition recognises film professionals who demonstrate exceptional achievement in craft and creativity and those who produce standout entertainment or contribute to profound social change. Entries are judged by highly qualified professionals in the film industry. Information about the Best Shorts Competition and a list of recent winners can be found at www.bestshorts.net.

In winning best short laurels, #depressionhurts joins the ranks of other high profile winners of this internationally respected award.

Thomas Baker Ph.D, who chaired the Best Shorts Competition, had this to say about the latest winners: “Best Short Laurels are not easy to win. Entries are received from around the world. The best shorts competition helps set the standard for craft and creativity. The judges were pleased with the exceptionally high quality of entries. The goal of the Best Shorts Competition is to help winners achieve the recognition they deserve.”

The film credits:

Producer Norah Bohan, Director and Screenplay Alan Lavender, Director of Photography Gary Fox, Lighting Phil McFadden, Associate Director Edward White, Makeup Wai Har Tsang, Graphic Designer Darragh Kelly, Editor Derek Flynn, Musical director Patrick Cushe The band: Heather Condren, Derek Flynn, David O’Connor, Kev Quarrell. Cast: Donal Creaner, Julian Judge, Mairead Doyle, Laura O’Brien, Maura Donohoe and Jillian Godsil.

www.depressionhurtsireland.com

The new website can be accessed at www.depressionhurtsireland.com and it provides a wealth of comprehensive information, useful links and valuable support to users, including real life stories and experiences of those affected by the illness. Specialist sections exist with content for Employees, Employers and Trades Unions to support them in the treatment of Mental Health within the workplace, an area where stigma is seen to be a major problem.

The site also provides a downloadable Helpful Hints section, including cut out and carry card with hints and contact details for emergency use.

http://www.depressionhurtsireland.com/uploads/1/1/3/6/11367382/dph_helpful_hints.pdf

ENDS

Info: Norah Bohan 0044 7976 601885 @TalentCoop

Alan Lavender – 00353 87 8524903 @AlanCeltic

 

 

TV people don’t sunbathe!

It’s been a very funny start to the year. My five minutes of fame seem to have extended to twelve months of fame, and it doesn’t appear to be stopping anytime soon. You may be familiar with me. I joking call myself the ‘brokest woman in Ireland’ and that may not be so far from the truth. An accident of divorce and the recession left me holding the baby, or rather a one million euro mortgage on a house worth less than half that. I cannot afford to live in the house and I am at the pin of my collar to support and keep my two teenage daughters. Currently, we live in a rented cottage some ten miles from our original house, but it may as well be 100 miles away. I have sold everything from my old house to pay for bills. This year is a bit bleak as I have nothing left to sell and the bills keep coming.

In 2011 I decided to sell my house (the beautiful Georgian Raheengraney House, just outside Shillelagh), come what may. I made a video, posted it on You Tube and it went viral. Mark Little from RTE was in New York and he was questioned about Raheengraney House by editors in the New York Times and The Huffington Post. My house had arrived. A cash offer of €500,000 was secured and my house should have gone. Only the banks stopped the sale. In a short one page letter they said the offer did not equal the mortgage and so they denied me consent to sell.

Fast forward one year and I think the bank must be kicking itself. The house is worth less than half that sum now. My business also collapsed last year under the strain and bailiffs called to my office to seize assets and gave me a week’s stay of execution. Of course there were no assets of value to take. It did not stop me nearly losing my reason, however. For one week I had plans and nightmares of setting up my very own ‘Occupy Shillelagh’ and chaining myself naked to the office door. Fortunately for the good burghers of Shillelagh, that last step was not required. But the visit and experience was the straw on my camel’s back and I nearly went under myself.

My story is not unique. My story is universal. My story is an Irish woman’s story.

In January the UK Telegraph came and visited me. They ran a six page feature in the magazine and devoted two of the pages to Raheengraney. In February, the American National Public Radio (NPR) came and interviewed me. So too the Irish Times ran a half page feature on the house. In March, BBC came and filmed Raheengraney. Last week the RTE documentary unit spent two days filming there. TV3 also filmed last week for the Midweek programme on squeezing the middle classes and even a Belgian Film crew popped over to film Raheengraney House.

Funny things I have learnt from filming include don’t sunbathe while filming. While working with RTE, time and light meant we had to cut short some sequences in the house to return the next working day, after the weekend. Accordingly I wore the same clothes that I have been kindly given by Deirdre Minogue boutique in Rathwood, my own wardrobe being a bit ropey, but on the Monday, after a glorious weekend of sunshine, I was sporting a suntan! That’ll pose a bit of a problem for continuity:  pale Jill, suntanned Jill, pale Jill, suntanned Jill!

Other advice might be always carry a hanky. TV3 came to me very early in the morning, 8am to be precise and filmed in a beautiful bright sunny, freezing morning. Not good for a sniffy nose!

And then I discovered that while recording the American radio interview, I had misplaced the keys. So for BBC and TV3 I had to break into my own house, using crowbars, kitchen chairs and torches to negotiate my way up the dark basement stairs. I guess the word to the wise here would be – don’t lose your keys in the first place. Fortunately by the time the Belgians arrived, I had found the keys in a spare jacket and our continental friends did not have to witness the mad Irish breaking into their own houses. A blessing indeed.

I also discovered the strange world of nodding and noddies. While the BBC had a crew of seven, the Belgians three and the Irish two, there was still only one cameraman with each. To get a two headed interview required the cameraman to focus on me or the interviewer as we spoke, only to return later to film silent ‘noddies’ which would be inserted into the sequence later in the editing suite. Trying not to laugh or talk while either ‘nodding’ or being ‘nodded to’ is very hard.

The media haze has been very tiring this month in particular. But I have been asked some really important questions. Questions on what responsibility should the banks take from this mess and how can the government deal with massive personal debt, namely through the introduction of fair bankruptcy laws. These questions are not just mine, they are important for Irish society to allow us to move forward as a viable, thriving country and not a people under the cosh and paying for the sins of the reckless. There is a need for bankers, politicians, senior civil servants and regulators to take responsibility for their actions and the devastating results. There is a need to find resolution too, and one that does not unfairly penalise the ‘small’ person.

I have also been asked is there a reason for my own particular media haze? I believe there is. For two reasons: My story is not unique. There are many others in a similar pickle. I think that by talking and listening we not only help each other, we also can find a fair and equitable way out of this mess. Financial insolvency is not a crime and not a mark of shame. However, people are daily committing suicide because of massive personal debt. This is wrong. The more we talk about it, the more we can help those who can’t see past by the mountain of debt. This too will pass.

The second reason is my film. Called Running out of Road, and based on my novel, the one that Michael Fassbender agreed to launch, this film will explore what life was like for people living through the Celtic Crash and how we come out the far side.

There will be a happy ending.

 

We are an Island Race

Exporting is part of our culture. Since we learnt we were on an island we have expended as much time getting off as we have expelling invaders. Our monks have sailed boats in far flung adventures while repelling invaders became a part of our lives once St Patrick expelled the snakes. When we couldn’t get rid of our next influx of unwanted visitors we often resorted to down right, low down tactics and married them. Think of the Normans more Irish than the Irish themselves. We consumed our invaders and we exported our under-the-radar colonists. The only difference with our colonising is that we used words and song and music to grab emotional landbanks across the world. A recent comment on WorldIrish had one non Irish commenter suggest there were 40million living today on this small island. The sheer weight would of course have sunk our patch of green but it is a testament to the vast export of our numbers over the years.

For an island race we are an interesting mix of conflicting characteristics. For an island race, we don’t really swim that well as a nation, we could argue we don’t have the weather. We don’t really eat fish very well as a nation, and I’m not including the breaded variety. We do often marry our own and while world renowned for being friendly, that can be closed to people outside our community. Where we do excel is in carrying our culture, words, songs and stories, with us when we travel and down through the generations. And we have a strong sense of who we are. Moreover the world has a strong sense of who we are.

While some of the adjectives liberally applied to being Irish are not so flattering, such as the drinking and fighting, others are striking such as the musical nature of our people, the cultural heritage we just assume as our birthright and the energy of a people who have faced much but come back for more.

There are few nations in this global village that have such strong brand. Step back a moment. Think about other countries, both bigger and smaller than ours, and think about how much we know about them. Think of our national day. What other country gets to celebrate their national day on a global basis, in cities and towns across the world.

What other country has exported so many people that have left their mark wherever they travel. Uniquely, other nations aspire to be Irish in a way that is out of the commonplace, out of the norm.

Over the years, we have exported the best of us and the worst of us.

When I was exported some two decades ago, there were very few jobs at home. The main difference to 2012 is that my parents were not wracked with debt that threatened to drown them, theirs or from a toxic bank. I also left a very proud Irishwoman. We were the darlings of Europe. We had an educated population that was in demand on a world stage. We had positive legislation to encourage inward investment. We had entrepreneurs and thinkers and world leaders. We had world beating sports people, authors, inventors, creators, innovators, dreamers, musicians, poets, filmmakers and scientists.

We still do.

We have let the workings of a few distort the work of the many. We have not changed as a nation. We are still those heady, creative, intelligent, warm and educated people.

What we have to confront is the short but lethal legacy of the banks and developers and politicians and trappings of greed. In two short decades we have been pulled down by cronyism and greed.

No island race in the world has the energy and the persistence of ours. That dogged nature and love of natural justice will come back and dominate again. We have been the underdog too long to let the minders of greed take away our pride.

It is time to stop exporting. It is time to examine what we have. It is time to build a new future.

 

 

Exporting our Troubles

As a nation we have become adept at exporting our troubles.

When our population soared in the mid 1800s we exported our surplus population by the coffin ship. There just were not enough potatoes to go around.

When we grew a pair and started to demand national self determination and that spilled in active resistance in the next century, so we began flexing the fledging muscles of independence. But then when a timely and largely indiscriminate thin red line was drawn across the upper province of our country, we managed to export the actual violence and daily grind of sectarian anger and destruction over the border.

When we were unable to cope with the concept and possible results of sex outside of marriage, we exported our pregnant teenagers to the UK to have abortions. We still export this problem for distressed women who need a termination regardless of marriage status.

When we could not tolerate any breakdown in the sanctity of marriage, we exported that problem too for a long time. Even now, we operate a splintered path to divorce, a two part process that draws out the painful division of a couple, resulting in months, even years of arguing to divide a union that took mere weeks to join up. Only the solicitors benefit from these convoluted and intolerant legal machinations.

When we could no longer employ our young people in this depressed economy, we again export them in their thousands. And to our national collective shame, the largely xenophobic welcome we gave the recent economic emigrants to our country, is being visited on those young people as they seek work abroad. The Irish are not the only race with long memories.

When the country is awash with huge debt, sovereign, banking, and personal, we do not take the bull by the horns. Our antiquated bankruptcy laws are just that, designed to punish the person who failed. We so lack the American foresight that endorses our very own (exported) Samuel Beckett’s view: ‘Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’ To be a bankrupt often implies the person was an entrepreneur, a doer, a creator of jobs and wealth, not just a PAYE worker or public servant. The person who fails once may yet succeed again. This especially applies to someone like Ivan Yates. Yates, an honest businessman who succeeded and failed, is being penalised beyond his failure, he is being punished by the financial institutions that fawned over him in better days.

We are told that new laws are coming in, news laws to solve the bottleneck of insolvency in this country. But instead of adopting the refreshing bankruptcy laws just across the water, we are coming up with a different variation. It is too slow and penal still. Why not review the UK bankruptcy laws, take the best bits, and implement them here. Why not? Why do we have to take so long, kowtow to the financial institutions, and still bring in limited, penal solutions. If NAMA was created in a single long night, why does our insolvency legislation need more than a year to create, and still favour the banks over the individual?

Bringing in these imperfect solutions will not stop the tide of bankruptcy tourism to the UK. Businessmen like Yates will no doubt avail of that course, and why not? Why wait to be punished here by the same authority that caused the problem in the first place when a short trip across the water can cleanse the debt without rancour. Except, exporting our bankruptcy problems has the double whammy of causing real stress to the individuals forced to emigrate house, family and work to a fairer jurisdiction, while local creditors will struggle to obtain any recompense when dealing with a foreign legal system. And when you export the good people, they may not come back.

We are a nation that excels at our exporting our troubles. Shame we have as yet managed to export our scourges with the same gusto:  paedophile priests, corrupt politicians, lazy regulators, greedy developers, arrogant solicitors and choking bankers.

 

ends

Get off your bottom and so something!

Get off your bottom and do something!

I wrote a short piece about the global phenomenon that is Kony 2012. It ran in www.GoodMenProject.com on March 10, a few days after the video was released. In that article I decided not to mention the criticism of the project or the charity behind it. Any global initiative that involves a viral video with 70million hits in three days and climbing, war lords, the American military, child soldiers,Africa and money is going to attract its fair share of knocks, trolls and copycat videos. So I made a choice and did not include these criticisms. The main reason being I applauded the charity who were actively working on a cause and value system that they believed in. I still do. The third point I made in the article was the Kony 2012 campaign is all about doing something, anything to make the world a better place.

Doing stuff – why not?

I personally am heavily involved in an equine charity and have been for the past ten years in a voluntary capacity. The charity, The Irish Horse Welfare Trust, rescues and rehomes abandoned horses, retrains racehorses for secondary careers and provides education on equine welfare, often for communities in very deprived areas. It also lobbies for reformed legislation to protect equine welfare in Ireland. Recently I was accosted for my involvement. I was lectured on using public money for looking after broken down horses and that a bullet would be a better option for many of them. I was also castigated on trying to educate the deprived kids on equine welfare as they would continue to do drugs, get into trouble with the police and they didn’t love their horses but only traded them.

The person had some very valid points. I rebutted the comments but I knew I would not change their mind. Yes, some of the horses rescued were in a very bad state and perhaps it would be better to have shot them in the field rather than bringing them back to the farm for expensive veterinary care. But for every horse that did not make it, there is another recovered and rehomed, and living a happy and useful life, perhaps as a companion horse, or a sporting horse, but giving joy to the new owner.

Then to the kids. The charity also works with young people in deprived areas. Ireland has a tradition of horse ownership in urban areas, often coinciding with communities that are in constant trouble with the police. The charity has run programmes with these kids for the past four years. These kids come from very seriously deprived areas. They, or their families, have been incarcerated for drug dealing, guns and robbery. The future for these children is not very bright and school attendance is very low. Yet, the equine welfare programmes run at schools and teenage levels are well attended. The older attendees sit exams and have formal qualifications at the end. If even one child ends up with a career in horses as a result, while the other nine stick to drug dealing, then that is a success.

Jillian and her daughter with Jaguar Claw, now retired from racing and jumping

 

 

 

 

 

 

 

So while the detractor has many valid reasons for why supporting this charity is a waste of time and money, I still believe in it. I believe also my children are better for having embraced less than perfect horses – we have three rescue horses in our care. Not that I can afford expensive horses anyway, but loving and working with imperfect horses, horses that otherwise would have gone to the factory, is a huge education in itself.

Another criticism of the Kony 2012 is that it is in Africa. Many people feel that charity should begin at home. I agree in part, but more strongly feel that charity should begin. It doesn’t matter where, at home, next door or in Africa, but yes it should begin. Some five years I worked very closely with an Irish woman who ran a number of orphanages in Russia. Again I worked pro bono with her for three years. I also sponsor a child, indeed I have been privileged enough to have met Julia when she came here on a holiday four years ago. We had no language in common and the meeting itself was terribly awkward. I had notions that she would say ‘Mama’ or something and we would communicate with looks as in the movies. Actually I did a lot of hand gestures and repeated myself and she just giggled. Still, we met. Despite my changed financial circumstances I continue to financially support her. My eldest asked me how we afford it, I answered how could we not afford to support her. There is no welfare state in Russia and if I stop funding her education, then no one else will step in. I made her a promise and even if she didn’t understand a word I said, I’m going to keep it.

Let charity begin, at home. Yes, it does and can. Last December a tweet went out in Ireland for a rival Christmas song to the now traditionally manufactured X Factor chart topper. Within 24 hours, the tweeter had 140 volunteers, of which I was one. Within a week, several hundred people all made their way to a Dublin hotel where we laid down tracks for a Christmas single. There was a choir, soloists, musical director, musicians, a band, recording equipment, everything needed to make a single. The chosen charity was the neo natal unit of theNationalMaternityHospital. A week later the single was mixed and released on itunes. We all tweeted furiously, let it trend, let TwitterXmasSingle trend. And it did for a bit. We even entered the Irish Music charts at number eight. For a week I was a pop star, well okay in the choir of a charting single, and all the proceeds, every last cent, went to the baby unit. A happy Christmas and a world first.

Of course, not all charities have happy endings. The week after the single was released, another tweet went out. This time for Depression Hurts, Christmas being one of the hardest times for people in trouble and need. So, a film was shot through volunteer resources. The crew and actors and technicians were all assembled within a week. Afterwards, we used the film and publicity to highlight a manned 24 hour twitter account over the ten days of Christmas. It was a very stressful time and the service was used by a lot of people, and included one major manhunt for someone thought to have taken their life. That particular action included police in Ireland and theUK. The man was found safe in the end. A happy ending in this case, but the twitter account was inundated with people at the end of their tether. We still don’t know how many we didn’t manage to help.

I learnt more about depression and suicide in those weeks leading up to Christmas. I have infinite regard and respect for those dealing on the front line. It is such a complex and heart breaking area, especially when suicide is successful.

So what am I saying? I am no expert on African war lords, the Russian welfare state, Irish criminals and drug dealers, equine legislation, being a pop star, acting in a film or depression and suicide. I am an average person leading an average life but who is trying to help where possible. I get off my bottom every day and some days I do great things, other days I just survive, but I do.

Doing is very important. Doing is what matters.

ends

Footnote. Since writing this piece, I understand that the Kony2012 filmmaker, Jason Russell, has had a mental breakdown. I expect the criticism of the video may have pushed him over the edge. The video, while the fastest viral video in the world, may have come at a very high price for the charity and for Jason, but not for the children I hope.

Meeting Michael Fassbender

I am a woman: do not fold, spindle or mutilate.

I am a woman. I am in my forties. I have two teenage children. I am divorced. I like sex. There, I’ve said it.

Why am I telling you this, dear reader? Well, I posted what I believed to be an amusing, tongue in cheek report of what it was like to meet Michael Fassbender. To give you context, you can click here, or just to say that given the furore about his penis in Shame I found myself literally without words when I met him. All I could think was ‘don’t mention the penis, don’t mention the penis.’ I felt as though I was stuck in that funny Faulty Towers episode when German tourists stay in the eponymously named hotel. Basil keeps on telling Polly ‘Don’t mention the war.’ Of course, Basil does it himself numerous times and ends up doing the goosestep ala The Monty Python school of funny walks. So as I looked at Mr Fassbender all I could think of was his penis. I didn’t mention it at the time, in fact I said very little to him at all. My quirky article went on to talk about how men apparently objectify women in a similar manner and I applauded them for managing to speak coherently at all. Simples.

However, it was the reaction to my piece that struck me as very strange. Many of the comments were quite incensed as if I had offended the readers personally. I was repeatedly referred to as a middle aged woman. This label was used not a general reference but in an accusatory fashion. I am also about the same age as Brad Pitt and a bit younger than George Clooney, but I don’t recall them being labelled as middle aged, not yet anyway. The fact that I was mother to teenage children was also held against me, how could I possibly think about a man’s appendage when I was a mammy? Actually, the presence of such an appendage in my marriage was the very cause of my becoming pregnant and having children. So why, eighteen years on, would I have to eschew all thoughts of the male member, or heaven forbid, actually dare to talk about it.

Recently I watched It’s complicated starring Meryl Streep and Alex Baldwin. The plot revolves around them as a divorced couple having an affair with some pretty steamy sex. My two teenage children both laughed and said they found it funny to see ‘old’ people having sex, but they are teenagers. To them anyone having sex is embarrassing, especially anyone over the age of thirty. However, it is an irrefutable fact that people continue having sex well into their latter years. I suspect, and this is only my opinion, they do so because they enjoy it. And another fact is that roughly half of those older people in Ireland having sex and enjoying it, are women.

So, in conclusion, I’m not quite sure how come I managed to upset so many people but I would like to reiterate that middle aged women, like their middle aged male counterparts, like sex too.

 

 

 

 

 

Meeting Michael Fassbender

(the original article ran in the Good Men Project and The Journal and is reproduced below)

Michael Fassbender is the latest overnight success in the Film business. From his authentic and critically acclaimed role as hunger striker Bobby Sands in Hunger in 2008, he has notched up a series of high profile roles in equally high profile films, making him one of the most bankable actors today. From Jane Eyre to Inglorious Bastards his screen presence has grown in stature, while his role in Shame, directed by his old Hunger partner, Steve McQueen, has earned him credits in a slightly different direction. At the Golden Globes ceremony this year George Clooney thanked Michael for taking over his responsibility for full front nudity in film, and went on to say he believed Mr Fassbender could play golf with hands behind his back. All jokes and tributes to Mr Fassbender’s best support which continue around the globe.

At the Irish Film and Television Awards (IFTAs) inDublinrecently I met with Michael Fassbender and I was rendered speechless.

Ah, the sounds of silence. There have been a few. I remember a tutorial on the origins of the Spanish Civil War. I had prepared and researched the topic but had not managed to write a concluding paper. As my patient, and also handsome professor (maybe there is a trend) gently prompted me for the main cities in Spain all I could think of the party fuelled and package filled Spanish resorts of Magaluf and Torresmolinos.  None of which may have existed even as hamlets in the ‘30s. My professor took pity on me and took the tutorial.

I remember too the start of my finals in university. The opening question on my first English paper was utterly incomprehensible. My brain emptied of all words and I starred goldfish-like at the paper for a full five minutes until secondary resources took over and sense and words and knowledge came tumbling into my brain, like a returning wave and washed over me and my exam rictus.

Or by the campfire in Montana while on a cattle drive and resting one evening. I was listening to an erudite and learned old cowboy. He had survived car crashes, plane crashes, helicopter crashes, even horse wrecks. I listened to his stories and my mind just stopped. It was as though he had opened my head like a boiled egg and poured his wondrous stories straight in: soothing and calming and I had no need for words.

Or when on a final equestrian trek in South Africa, our group had to half swim on horseback in deep water before scrambling onto partially flooded banks and canter along the game fence. All the while, the heavy hippos called loudly to our left, splashing solidly in water only feet away. My mouth stopped then too but it could have been a combination of fear, the noise of the hippos and water crashing over us as we cantered. I may have laughed, crazy as a loon, as I held on for dear life but no words formed in my sheer joyful terror.

Or when scuba diving in Fiji on my honeymoon. We sat on the edge of a tiny motor boat, my new husband and I, with two silent Fijians. At the signal, for words were not used, we put in our mouth pieces and fell backwards into the water. Splash and deeper watery sounds rushed past my ears as we submerged into the cool waters of the Pacific Ocean. I could not speak of course but dared not even think. In the lost and semi dark light we trailed our guide down to the reef. Bubbles of air floating upwards in place of words. At 60 feet down the sea was too heavy for me. Making the ‘up signal’ and far from all right, I excused myself and returned to the boat. Spluttering and coughing as I scrambled on board I tried to find words to describe how I felt and failed.

Ah, meeting Mr Fassbender. At the crowded smoking area in the cold outside the function room where the glamorous gathered to smoke, I found myself at his elbow. He was happily chatting with a circle of people, some of whom were at my table. I paused, I listened and when no suitable break in conversation could be found, I tugged instead his sleeve like a child.

He turned and smiled at me and I said that I just wanted to say hello. He smiled some more and so did I, but my mind was empty of all words, adjectives, capitals, nouns, tenses, commas and punctuation in general.

Instead I had this overwhelming image of his phallus. It was the metaphorical size of the elephant in the room, pun intended. As words failed me, the image grew and grew in importance and stature. It was palpable between us as my brain grew this impediment to speech. Finally he asked my name and I stammered it but then excused myself blushing.

So this is my question. Men by many accounts are prone to see women, especially attractive women, by the sum of their body parts. I have read repeatedly and have been told ad nauseum, men see not the face but the rack, not the smile but the legs. They have an advanced peripheral visual acuity which allows them to view the body parts without necessarily allowing the eyes to drift too obviously.

With such sensitivity, how on earth do men make sensible conversation when presented with a beautiful woman? Or have I answered my own question as to the generators of tongue-tied would-be suitors in this world.

Girding my metaphorical loins to counter Mr Fassbender’s imagined ones, I returned to the scene of my speechlessness and requested a photograph. He kindly obliged. I was still incapable of coherent, elegant or intelligent conversation so I finished off by asking Mr Fassbender would he launch my book. He agreed before legging it into the opposite direction at speed. He must has known the silent ones are the most deadly and took his rapid leave before my motor skills returned and I could summon up new and more fanciful requests. A dance, a date, or marriage perhaps?

So having being in the place of awe where my entire being had been focused on unmentioned phallus of Mr Fassbender, I must reluctantly applaud you men. Genetically pre disposed to dissecting women into genital titillation I wonder that you can function at all in the presence of a beautiful woman.

If I had stayed any longer I fear that old Beverly Brothers’ line would have made an appearance. ‘If I said you have a beautiful body, Mr Fassbender, would you hold it against me?’

However, having since regaining my capacity for words (more than a 1000 in this musing) I now just wait for Mr Fassbender’s availability to launch my novel, aptly entitled ‘Running out of Road’

Jillian Godsil

 

Raheengraney House – what next?

It has been such a long journey and with so many twists and turns that I scarcely know where to begin. It started with a kiss, it started with a Facebook update, It started with a mid life crisis (not mine, lol, I’m waiting to have mine later!), It started with a divorce… I’m actually not sure where it started and I am even less certain of where it will end, but one thing I know for sure, this year I’m fighting fit.

This week I made a video. You can watch it here. http://youtu.be/tzKO6Nw_p0k

Last year I also made a video. You can watch it here if you like too, although much of it is cannibalised into my second video.

So what is my story and where do I begin? You know what they say – a good start is half the battle. So here goes!

This is a story of the big house, the big divorce, the big lawyers, the big courts, the big banks, the big bankruptcy, the big recession and little ole me standing at the other end of the lane, scratching my head at the wonder of it all, at the injustice of it all, and of the sheer madness of it all.

Once upon a time I was a middle-aged married woman with a stay at home husband and two beautiful little girls. I worked in the basement of this big beautiful house and my only view was the retaining wall at the outside and with limited sunshine during the day. I rose early and often worked before breakfast. I rarely had lunch per see and stopped only for dinner. Then after I put the children to bed I often returned to my dark basement and worked some more. I was terribly respectable. I was the local church warden, honorary secretary of the select vestry, Sunday school teacher, and I sang in the church choir. When I wasn’t working at the weekends, I brought my children to the stables with their new found love of ponies. I loved the ponies too, although I was little nervous of them.

Then I left my husband.

I was no long middle aged, no longer married and no longer respectable. I became the antithesis of all those things. It took me a little while to recognise this new condition and no one was more surprised than I to discover that leaving one’s husband also removed all the accoutrements of respectable life. And they did not leave me piece by piece, no, they were torn from me very publicly and very painfully.

One day secure and possibly quite boring, the next, shredded like a side of beef in the butchers. Conversely I was living and not very boring at all but I paid a very high price.

The five years since I left my husband have been a litany of painful truths, heart breaking events, soul destroying departures and things I never want to see, feel or hear again.

The five years since I left my husband have been a litany of new beginnings, exciting events, new arrivals and things I never thought I would do or feel or see, ever.

Once, while my father lay dying in his 87th year, my brother remarked that old age was a terrible thing. ‘But what,’ he asked, ‘was the alternative?’

So too with divorce. The price can be very high but what is the alternative?

Five years ago the big guns took my money. And then my ex husband gave me as a parting divorce present the entire mortgage on our lovely house. Only our lovely house was not so lovely any more and was worth less than half the amount owed.

I tried to sell it but the banks stopped the sale. Last year I was as close to repossession as is humanly possible without the paperwork. I had given up on the house and just wanted to be free. Of course, Irish law means a debt is a debt to a little person and with the house only valued at half the mortgage, I was going to still have a very big debt for a very small person.

This year I have decided to fight back. I am no longer in roll over mode. No longer accepting the cruel blows of fate that been struck me, the bad show of hands that have been dealt me, the unfair trammelling the law, banks and my ex have foisted on me.

The worm is turning. This lady is for turning.

So, I have a plan. To take back my house. To occupy Raheengraney. To make it into the most beautiful wedding venue in Ireland. I even have the Romeo balcony from which the brides can throw their bouquets.

First I must fight the banks though. And I ask you to send strong and positive wishes my way. And any spare cash, offers of work and other such practical assistance. A girl can only do so much on her own against the banks!

Follow me on Twitter @jilliangodsil or you can email me on jillian at practicepr dot ie.

Thank you!

Jillian x