The Tricolour

The Irish Tricolour, with its distinctive stripes of Green, White and Orange, is often viewed as a militant flag, a direct contrast and challenge to the British Union Jack and owned solely by one tradition in Ireland – the nationalist Catholic community. In fact, its origins could not be further from the truth and there is currently a movement to rehabilitate its image and indeed to encourage its widespread use in the same way that Americans, of whatever ethnicity, fly their national flag in backyards across the States.

tricolourThe Irish Tricolour was first flown in Waterford by Thomas Francis Meagher on March 7, 1848, at the Wolfe Tone Confederate Club at 33 The Mall. This was also of significance as Wolfe Tone a century before had fired up a movement that said: ‘Protestant, Catholic and Dissenter all unite under the common name of United Irishman.’  Meagher had just returned from France and wanted to realise a vision of a New Ireland from the wreck of the old sectarian Ireland. The band of white in the flag was the symbol of peace to join Irish Catholic with Irish Protestant and to forge a new unity and brotherhood between the two sides in a country that had been desecrated by the Great Famine.

 

Meagher went on to take part in the Young Ireland Famine Rebellion and subsequently sentenced to death for treason. This judgement was parleyed by Queen Victoria into deportation to Tasmania from which he escaped and moved to America. There Meagher continued to make a difference and this time joined the Union in the American Civil War. He raised a full company to fight with the 69th Infantry Regiment and went to head up the Irish Brigade. As a result of his involvement, the 69th Regiment became known as the Fighting 69ners. Following the war he was appointed Governor of Montana where he was institutional in bringing that territory towards statehood – the grant of which only happened twenty years after his death.  He is commemorated by statutes both in his native Waterford and in Helena, state capital of Montana.

A great orator, when he brought the flag to Ireland in 1848 he said:

…I trust that the old country will not refuse this symbol of a new life from one of her youngest children. I need not explain its meaning. The quick and passionate intellect of the generation now springing into arms will catch it at a glance. The white in the centre signifies a lasting truce between the “orange” and the “green” and I trust that beneath its folds, the hands of the Irish Protestant and the Irish Catholic may be clasped in generous and heroic brotherhood…” 

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But it was not until 1916 that the Tricolour was flown again, this time when it was raised at the GPO in Dublin during the Easter Uprising and it was not until 1937 that it was formally adopted as the national flag.

 

 

Six years ago visionary local historian James Doherty from Waterford recognised the significant of the Tricolour, its history and the links with the 69th Infantry Regiment in New York. The 1848 Tricolour Celebration Committee was established that reached out to the 69th Infantry Regiment which resulted in a delegation arriving in Waterford to cement the connections. Every year since, a delegation arrives and Meagher, the Tricolour and the 69ners are celebrated. This year, Waterford went one step further and on Thursday March 12 renamed the river Suir bridge the Thomas Francis Meagher Bridge. The river Suir bridge was completed in 2009, is part of the N25 Waterford bypass and the longest single-span bridge in the Republic .

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I was privileged to be part of the Island of Ireland Peace choir (formerly the Waterford Omagh Peace Choir) that sang at the Gala Dinner and subsequently at a formal military ceremony attended by full military honours and ambassadors, including this year Kevin Vickers, the Canadian Ambassador to Ireland. You may recall Kevin as he was the sergeant at arms that single handed stopped the lone terrorist attack on the Canadian Parliament last year.  Standing at well over six feet tall, Kevin commended the choir following its performance during the dinner. Our rendition of Oh Danny Boy had moved him to tears. The following day he joined in our singing, becoming an honorary member of the choir.

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Colonel Jim Tierney spoke at the dinner. He spoke in Gaelic, translating it afterwards into English for the non-Gaelic speakers and into English for the Gaelic speakers! He spoke about the impact of political correctness on the history of the Regiment. For much of the last quarter of the last century, the emphasis on diversity did not allow for the celebration of ethnicity. It was not until the Regiment got an invitation to come to Waterford five years ago that the links were refreshed and the Regiment had an emotional home-coming to Waterford. He and his men fully embraced the connection and wished to see it continue and grow year on year. He also spoke of the role of Irishmen in the American Civil War. Recent historians are now estimating that more Irishmen fought in the American Civil War than in World War One, with Meagher being an inspired leader, seeking justice for the repressed.

This talk was given in the Granville Hotel, originally the birthplace of Meagher and was a fitting location to lead such a tribute. And as for the breakfast – I am sure that Meagher would have been impressed with that too. A choir can only sing on its stomach and we sang like canaries after that!

One final interesting fact: the Tricolour when first flown outside 33 the Mall was raised back to front with the orange band next to the flagpole. The 1848 Tricolour committee spoke with the Irish Department of Defence for permission to re-enact this mistake but permission was refused. For those of you in the military you will already know the reason for refusal – a national flag flown upside down or the wrong way around is an international symbol of disaster or distress. And we were far from that in Waterford at the weekend.

Interesting links:

The Island of Ireland Peace choir in practice before the Gala Dinner

A RTE compilation

The Tricolour site

 

 

 

 

 

 

 

 

Woman who challenged law on bankrupts standing in elections wins costs

First printed in The Irish Times on February 24, 2015

Jillian Godsil found to have been ‘directly instrumental’ in bringing about a change in the law

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A woman has been awarded the costs of her legal challenge which prompted legislation allowing undischarged bankrupts to run for Dáil and European elections.

Jillian Godsil — an Independent who stood in the European and local elections last May on an anti-debt platform — had asked the Supreme Court to award her the costs of herHigh Court challenge which was withdrawn when the Government changed the law. A three-judge Supreme Court unanimously ruled she is entitled to her full High Court costs. She was also awarded her costs in the Supreme Court.

Following the withdrawal of her action when the law was changed last year, the President of the High Court, Mr Justice Nicholas Kearns, said she was only entitled to the administrative outlay costs, including stamp duty on filing documents.

Giving the Supreme Court’s decision awarding her all her costs, Mr Justice William McKechnie said Ms Godsil had been “directly instrumental” in bringing about a change in the law relating to bankruptcy which had stood since 1923. While such a result was not without precedent, it must surely be unusual, he said.

He could not see why “costs should not follow the event”, a standard phrase in law which means the loser pays the costs.

Given the facts of this case, and the absence of any disqualifying conduct or factors, he could not find anything which “either in justice or in logic would justify anything less than a full cost order in this regard”.

It was not necessary to address Ms Godsil’s argument that she should get costs because the case was brought in the public interest, Mr Justice McKechnie said.

Ms Godsil’s home in Wicklow was repossessed in 2013 and she applied to be declared bankrupt in February 2014 but found this disbarred her from running in the European elections, although not in the locals. She polled 9,179 first preferences in the IrelandSouth European constituency and 193 in the Baltinglass local election area.

In her appeal to the Supreme Court, she argued the Government had given no indication it would rush through a change in the law or even indicated it was considering such a change. As a result, she had to bring her legal challenge. Costs should also be awarded to her because the case was taken in the public interest, she claimed.

The State opposed her costs application saying she “waited until the last minute” to bring her challenge. The Government had moved expeditiously to change the law, it was also argued.

Fifty Shades started surge of Mammy Porn in Ireland

first printed in the Sunday Independent on February 2, 2016

Jillian Godsil, who wrote ‘The Cougar Diaries’, has interviewed people about the impact of ‘Fifty Shades of Grey’. With the film adaptation of the book about to hit our screens, she reckons men in the audiences could be in short supply

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PRIOR to the publication of Fifty Shades of Grey, what might be considered deviant sexual practices were not discussed at the dinner tables the length and breadth of Ireland, much less practised in the bedroom. But following on from the book’s publication, the conversation went mainstream and in between the sheets.

I started interviewing people and talking about the impact and found to my empirical knowledge that sex had mushroomed in Ireland. Taxi drivers, hotel porters and bartenders – the true barometers of Irish society – were having more sex than ever before and the women were driving the train.

Which is somewhat ironic since the protagonist in Fifty Shades is submissive and very passive. The very Irish women turned on by the book appeared to be tying up their men – and sales of rope in Woodies are going through the roof without a single shred of evidence of any DIY being done. So, the reason Irish men are smiling is less a case of ‘mommy porn’ and more a case of ‘mammy porn’, and you will do what you are told!

And now, the tale is coming to a cinema near you. Somehow, I don’t think this is going to be the ultimate romantic, first-date movie. In fact, I don’t think it will even mimic the Sex and the City experience where groups of women dressed up as their favourite character in the sitcom, drank cocktails and strode around town on impossibly tall heels.

We all know Fifty Shades has sold in huge numbers (about 100m and counting) but I am not sure how the transition from reading erotica to watching erotica on screen will play out. The former is normally a very intimate affair, the latter a public experience.

Then there is the question of appropriate fashion – will the ladies all bring their favourite piece of bondage equipment with them? And I say ‘ladies’ for I don’t think there will be that many brave male souls accompanying their partners to see the film. And for those guys, about to take that plunge, I salute you now gentlemen!

It is hard to believe that the novel was published only in 2011. The book, and the accompanying phenomenon, covered new ground, old ground and some very dodgy ground, but one thing is for sure, kinky went mainstream and there is no closing that particular drawer.

At the beginning of the Fifty Shades excitement, a number of elements were said to be behind its success. The first was the popularity of online book stores and electronic devices such as the Kindle. People no longer had to go into a book store and actually ask for a book – buying erotica or dirty books in the noughties was still like buying condoms in the last century, a shameful act that required much steeling of nerves. Now, the same purchase could be done seamlessly online. And even better, once purchased, no-one could tell what kind of book you were reading – it could be history, non-fiction or erotica.

But while the anonymous purchasing and reading may have propelled the initial interest, soon actual physical book sales were outstripping or at least equalling online sales. In the summer of 2012, it seemed impossible to fall over anyone on a beach not reading the same book. .

But then there were tales of the book being left behind in hotels. Travelodge published a report that said EL James’ book topped the list of most discarded books, which may not upset the millionaire author, but it does beg the question, will the audience react in the same way in the cinema?

For every one person I met who loved the book, I met one who hated it and was unable to finish reading. Will we see streams of people leaving halfway through, like a poor showing at an indie film festival?

My own personal reaction to the book was frustration, and not the good kind. I am a sex-positive feminist and consumer of both erotica and its more edgy bedfellow porn. I am a devotee of Cindy Gallop and her MakeLoveNotPorn start-up, an admirer of Erika Lust and her women-centric porn and some very quirky stuff in between. I do, however, draw the line at reading Barbara Cartlandesque prose just to get to a post-modern, hardcore sex story stapled thinly within such a storyline.

The writing was inspired, as we know, by Twilight fan fiction and it shows: with every inner goddess, subconscious dance move and references to those jeans hanging off his hips. But my biggest criticism of the book is also my biggest compliment to it – the role of women and its impact on women.

Ana, as a character, I hated with a passion. I hated her for three major things. The first was that she travelled hundreds of miles to interview a businessman, but never did any research before stepping into his office – instead she relied on her friend’s notes to conduct the interview.

There is one question at the end of her friend’s notes which asks if Mr Grey is gay. Ana, this supposedly intelligent woman, cannot read the question in her head without blurting the three words out loud.

This was in the opening chapter, and I think this is where my frustration set in. Why do attractive female protagonists have to be so stupid?

The second was the fact that, as an unlikely virgin at 21, Ana proceeds to have effortless, countless, mind-blowing orgasms with Mr Grey. It would appear she has clitorises all over her body, which makes her a medical wonder.

The final nail in the coffin, for me, was her rejection of presents from her boyfriend. I have to say render unto Caesar and all that. If I am dating a mechanic, then a bunch of garage flowers is lovely; if I am dating a billionaire, then a first edition book is very thoughtful. Or maybe I should have watched Boy Next Door (2015) where JLo is given a first edition Illiad by the eponymous anti-hero. Who is the foolish one there?

So will the Mna of hEireann watch erotica on the big screen now that Fifty Shades is being painted on the big screen? Yes – if only to brush up on their knot-tying techniques. Gentlemen, you have been warned!

Jillian Godsil is a Master’s student in screenwriting in IADT, freelance journalist and author. She has published a quintessentially Irish trilogy of feminist, activist and comic erotica under the pen name of Aoife Brennan and entitled ‘The Cougar Diaries’, Parts I, II & III, which is available on all good electronic devices. She blogs on real world stuff at www.JillianGodsil.com

Sunday Independent

Cougar Diaries – purchase here